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 Ann Hallenberg






The Swedish mezzo-soprano Ann Hallenberg regularly appears in opera houses and festivals such as Teatro alla Scala Milan, Teatro la Fenice Venice, Teatro Carlo Felice Genoa, Teatro Real Madrid, Theater an der Wien, Opernhaus Zürich, Opéra National Paris, Théâtre des Champs-Elysées Paris, Opéra de Lyon, Opéra du Rhin Strasbourg, Opéra de Lille, Opéra de Bordeaux, Opéra de Dijon, Opéra de Monaco, Théâtre de La Monnaie Brussels, Netherlands Opera Amsterdam, Vlaamse Opera Antwerp, Bayerische Staatsoper München, Staatsoper Berlin, Semperoper Dresden, Norwegian National Opera, Royal Swedish Opera, Salzburg Festival, Edinburgh Festival and the Drottningholm Festival in Stockholm. She is highly sought after as a concert singer and she frequently appears in concert halls throughout Europe and North America.


Ann Hallenberg regularly works with conductors such as Giovanni Antonini, Stefano Aresi, Harry Bicket, Fabio Biondi, Ivor Bolton, Olof Boman, William Christie, Alan Curtis, Ottavio Dantone, Alessandro De Marchi, Marcello Di Lisa, Richard Egarr, Laurence Equilbey, Diego Fasolis, Adam Fischer, Patrick Fournillier, Sir John Eliot Gardiner, Jane Glover, Pablo González, Emmanuelle Haïm, Daniel Harding, Nikolaus Harnoncourt, Thomas Hengelbrock, Philippe Herreweghe, Michael Hofstetter, Paavo Järvi, Bernard Labadie, Louis Langrée, Vaclav Luks, Andrea Marcon, Diego Matheuz, Paul McCreesh, Nicholas McGegan, Riccardo Minasi, Marc Minkowski, Christopher Moulds, Riccardo Muti, Kent Nagano, Sir Roger Norrington, Ian Page, Renato Palumbo, Sir Antonio Pappano, Evelino Pidò, Trevor Pinnock, Jérémie Rhorer, Christophe Rousset, Federico Maria Sardelli, Andreas Spering, Jean-Christophe Spinosi, David Stern, Gabor Takacs-Nagy, Lothar Zagrosek and Alberto Zedda.


Her repertoire includes a large number of leading roles in operas by Rossini, Mozart, Gluck, Handel, Vivaldi, Monteverdi, Purcell, Bizet and Massenet. Equally at home on the concert platform she has built an unusually vast concert repertoire that spans music from the early 17th Century works of Monteverdi and Cavalli, via Mozart, Beethoven, Berlioz, Mahler, Martin and Chausson up to contemporary works of Franz Waxman and Daniel Börtz.


Engagements in 2013 included Mozart's Davide Penitente in Berlin with the Berliner Philharmoniker, Anna in Haydn's Il ritorno di Tobia at the Salzburg Festival, Rossini's Stabat Mater at Teatro Real Madrid, the title role in Handel's Agrippina at Théâtre des Champs-Elysées Paris and Auditorio Nacional de Música Madrid, Dejanira in Hercules in Moscow, Brahms’ Alto Rhapsody at with Frankfurt Radio Orchestra, Pergolesi's Stabat Mater with Los Angeles Philharmonic, Bach's St Matthew Passion in Rome with Accademia Nazionale di Santa Cecilia, Bach's Mass in B minor with Orchestre Symphonique de Montréal, Pergolesi's Stabat Mater as well as Traetta's Stabat Mater at Festival Ambronay with Les Talens Lyriques, Bach's Mass in B minor as well as Magnificat in Stockholm with the Swedish Radio Orchestra, Teseo in Handel's Arianna in Creta at Theater an der Wien, Ferrandini's Il Pianto di Maria at the Concertgebouw Amsterdam as well as in Krakow, Tirinto in Handel's Imeneo in Siena, Servilia in Vivaldi's Tito Manlio at Festival Ambronay with Concerto de' Cavalieri, and a concert with arias by Handel, Porpora and Orlandini in Antwerp with Il Pomo d’Oro.


2014 included Farnaspe in Veracini's Adriano in Siria in Konzerthaus Wien, Emilia in Vivaldi's Catone in Utica at Théâtre des Champs-Elysées Paris, Orphée in Gluck's Orphée et Euridice in Lisbon, Schumann's Das Paradies und die Peri in the Gewandhaus Leipzig, Chausson's Le poème de l’amour et de la mer at Théâtre des Champs-Elysées Paris, Mahler's Das Lied von der Erde and Brahms' Vier ernste Gesänge in Philharmonie Berlin, Berlioz' Les nuits d'été in Oviedo, Zaragoza and Budapest with Orchestre Révolutionnaire et Romantique as well as in Skopje with Macedonian Philharmonic Orchestra, Beethoven Symphony No. 9 with Rotterdam Symphony Orchestra, Servilia in Vivaldi's Tito Manlio in Auditorio Nacional in Madrid and Centro Cultural in Lisbon, Mozart's Mass in C minor at the Salzburg Festival, Mahler's Kindertotenlieder in Paris, Poitiers and Gent with Orchestre des Champs Elysées, Vivaldi's Gloria in Accademia Nazionale di Santa Cecilia Rome, arias by Porpora, Broschi, Giacomelli and Leo in Wigmore Hall in London, Beethoven's Symphony No. 9 with Danish National Chamber Orchestra, Beethoven's Missa Solemnis with Gothenburg Symphony Orchestra, Mozart's Requiem with Barcelona Symphony Orchestra as well as with Orchestra of Teatro Real Madrid and with Latvian National Symphony Orchestra, arias by Handel with Zurich Chamber Orchestra, arias by Mozart, Haydn and Gluck with Drottningholm Festival Orchestra, and arias by Handel, Telemann and Porpora at the Ernen Festival.


2015 included Irene in Handel's Tamerlano at Théâtre de La Monnaie Brussels and at the Dutch National Opera, Bach's St John Passion in Amsterdam with the Royal Concertgebouw Orchestra, Mozart's Davidde penitente in Leipzig with Gewandhaus Orchestra, Mozart's Mass in C minor in Milan with Orchestra of Teatro la Fenice, arias by Handel in Warsaw with Il Complesso Barocco, arias by Handel, Porpora and Orlandini in Göttingen, Venice and Santander with Il Pomo d’Oro, Tirinto in Handel's Imeneo at the Handel Festival Halle with Europa Galante, Elgar's The dream of Gerontius in Wroclaw with NFM Symphony Orchestra, Ferrandini's Il Pianto di Maria at Klangvokal Musikfestival Dortmund and Musikfestspiele Potsdam with Accademia Bizantina, Beethoven Symphony No. 9 in Graz with Österreichisch-Ungarische Haydn Philharmonie, arias by Porpora, Broschi, Giacomelli and Leo in Spain and Mexico with Les Talens Lyriques, Handel's Donna, che in ciel and Telemann's Donnerode in Prague with Collegium 1704, arias by Handel, Porpora and Broschi in Västerås, arias by Bizet, Saint-Saëns and Mozart in Antwerp and a CD recording with arias by Mayr, Zingarelli and Sarti with Stefano Aresi/Stile Galante as well as a recording of Creusa in Gluck's Demofonte with Alan Curtis/Il Complesso Barocco.


2016 has so far included Emilia in Vivaldi's Catone in Utica in Amsterdam and Basel with La Cetra Baroque Orchestra, Giulietta in Zingarelli's Giulietta e Romeo at the Salzburg Whitsun Festival, Elias in Dortmund and Baden-Baden with the Balthasar-Neumann-Ensemble as well as in Cologne with WDR Symphony Orchestra Cologne, Beethoven's Missa Solemnis with Rotterdam Symphony Orchestra as well as with the Gulbenkian Orchestra, Vagaus in Juditha triumphans in London and Paris with Venice Baroque Orchestra, Bach's St Matthew Passion with Gewandhausorchester Leipzig, cantatas by Bach in Paris with Orchestre de Paris, arias by Mozart and Gluck in London with Classical Opera, Handel's Donna, che in ciel and Telemann's Donnerode in Vienna, Hamburg, Cologne and Ghent with Collegium 1704 as well as in Paris with Gabrieli Concort, Ferrandini's Il Pianto di Maria in London and Cuenca with The English Concert, arias by Handel at the Handel Festival Karlsruhe, arias by Handel in Stockholm with Concerto Köln, Mozart's Mass in C minor at the Verbier Festival, cantatas by Handel and Telemann at the festival in Ernen and an aria by Handel at the Polar Music Awards honouring Cecilia Bartoli receiving the price.





J.S. BACH - St Matthew Passion


Kent Nagano, conductor / Orchestre symphonique de Montréal


HANDEL - Messiah

Los Angeles

Bernard Labadie, conductor / Los Angeles Philharmonic


VIVALDI - Juditha triumphans / Vagaus

New York, Illinois

Andrea Marcon, conductor / Venice Baroque Orchestra


MAHLER - Rückert Lieder


Sir John Eliot Gardiner, conductor / Royal Concertgebouw Orchestra


HANDEL - Agrippina / Agrippina

Vlaamse Opera

Stefano Montanari, conductor


J.S. BACH - St John Passion


Sir Antonio Pappano, conductor / Accademia Nazionale di Santa Cecilia




Magnus Svensson, piano


HANDEL - Teseo / Medea


Federico Maria Sardelli, conductor / Russian National Orchestra


BEETHOVEN - Symphony No. 9

Antwerp, Gent

Philippe Herreweghe, conductor / Royal Flemish Orchestra



Halle, Venice

Stefano Montanari, conductor / Il Pomo d’Oro


ELGAR - The Dream of Gerontius


Granville Walker, conductor


HANDEL - Ottone / Gismonda

London, Vienna, Beaune

Maxim Emelyanychev, conductor / Il Pomo d’Oro




Magnus Svensson, piano


Porpora / BROSCHI / J.C. BACH / GIACOMELLI / LEo - Farinelli arias

Wigmore Hall London, Aix en Provence

Christophe Rousset, conductor / Les Talens Lyriques


HANDEL - Arias

Madrid, Seville

NN, conductor / Orquesta Barroica de Sevilla


ZINGARELLI - Giulietta e Romeo / Giulietta

Theater an der Wien

George Petrou, conductor / Armonia Atenea


BERLOIZ - Les nuits d'été

London + European tour

Sir John Eliot Gardiner, conductor / London Symphony Orchestra


J.S. BACH - St Matthew Passion


Ton Koopman, conductor / Royal Concertgebouw Orchestra


November 2016


Artefact Artists Management
Artefact Artists Management has established itself as one of northern Europe’s leading managements for opera and concerts singers.