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Martin Vanberg







The Swedish tenor Martin Vanberg graduated from the Opera Academy in Copenhagen in 2010.


During his studies he performed roles such as Peter Quint in The turn of the screw, Le Chevalier in Les dialogues des Carmélites, Male Chorus in The rape of Lucretia, Lurcanio in Ariodante, Tom in The Rakes’s Progress, Tamino in Die Zauberflöte, Arbace in Idomeneo, Don Ottavio in Don Giovanni, Almaviva in Il Barbiere di Siviglia, Oronte in Alcina, Fenton in Falstaff, Ferrando in Cosí fan tutte and Basilio in Le nozze di Figaro.  


In 2011 he made his debut at the Gothenburg Opera as Oronte in Alcina. Other recent opera engagements have included Nutrice, Lucano, Soldier 1 & Fam.di Seneca 1 in L’incoronazione di Poppea at  Innsbrucker Festwochen der Alten Musik, L’Humana fragilità and Pisandro  in Il ritorno d’Ulisse in patria at Drottningholms Opera Festival, Male Chorus in The rape of Lucretia, Peter Quint in The turn of the screw, Le Chevalier in Les dialogues des Carmélite and  Emilio in Partenope at the Royal Danish Opera, Gomatz in Mozart's Zaide, Cecco and Ecclittico in Haydn's Il mondo della luna, Christer in the pasticcio Tonight, Tonight, Mr. Wickham in Daniel Nelson's contemporary opera buffa Pride and Prejudice and Jonathan in Handel's Saul: all at Vadstena-Akademien, Christer in Tonight, Tonight 2 at Malmö Opera, Elis and David in Nikolo Kotzav’s Joel in Mariehamn, Finland, and Moore of Moorehall in The dragon of Wantley at the Ripasso Baroque Festival in Stockholm


As a concert singer he has appeared in many of Europe's leading concert halls, including the Concertgebouw Amsterdam, Konzerthaus Wien, Kölner Philharmonie and Tivoli Concert Hall in Copenhagen.


He regularly works with conductors such as Mattias Alkman, Christian Badea, Benjamin Bayl, Steuart Bedford, Alfredo Bernardini, Laurence Cummings, Ottavio Dantone, Thomas Dausgaard, David Björkman, Susanna Dornwald, Michael Francis, Kjell Ingebretsen, Stephen Layton, Fredrik Malmberg, Andrew Manze, Lars Ulrik Mortensen, Thibault Noally, Simon Phipps, Helmut Rilling, Morten Schuldt Jensen, Claudio Scimone, Marc Soustrot, David Stern, Massimiliano Toni and Maciej Wieloch,.


Assignments in 2013/14 included Count Almaviva in Il barbiere di Siviglia at the Gothenburg Opera, the title role in Handel's Jephtha with Accademia Bizantina and the conductor Ottavio Dantone, Cephalus in Cavalli’s Gli amori d’Apollo e di Dafne in Copenhagen, Lysander in Britten's A Midsummernights Dream at Läckö Opera Festival, Bach Mass in B minor with Gothenburg Symphony Orchestra as well as with ReBaroque, Mozart's Mass in C minor in Malmö, Monteverdi’s Mariavesper in Gothenburg, Bach's Christmas Oratorio in Stavanger as well as in Fredrikstad, G.A. Homilius' St Mark Passion in Malmö, Daniel Hjort’s Det dybeste sted in Helsingør, Ystad, Malmö, Halmstad and Copenhagen, and he recorded Thomas Jennefelt’s Dixit Dominus for BIS. He sang three productions of Mozart's Requiem; in Witten, Copenhagen and Gothenburg, and five productions of Bach's St John Passion; in Bergen. Gothenburg, Malmö, Aarhus and in Hässleholm.


Engagement in the season 2014/15 included the title role in Handel's Jephtha in Krakow with Accademia Bizantina, Bach's St. John Passion in Aarhus with Aarhus Symphony Orchestra, Daniel Hjort's Det dybeste sted with Nordic Opera, Christoffer Nobin's Hion om natten with Norrköping Symphony Orchestra, Haydn's Die Schöpfung in Stockholm, Britten's St. Nicholas in Witten, cantatas by Bach in  Copenhagen and Lund, Bach's Christmas Oratorio in Odense and no less than five productions of Handel's Messiah; in Milan, Padova, Copenhagen, Lund and Stavanger.


The season 2015/16 included San Giovanni in Porpora's Il trionfo della Divina Giustizia with Ensemble les Accents as well as the title role in Handel's Jephtha with Accademia Bizantina in Beaune, Bach's Mass in B Minor with Orchestra Nazionale della RAI Torino as well as in Tromsoe, Bach's St. John Passion in Milan with Accademia Bizantina as well as in Holbæk, Bach's Magnificat with Poznan Philharmonic Orchestra, Handel's Messiah with Norrköping Symphony Orchestra, Bach's St Matthew Passion with Finnish Baroque Orchestra as well as in Bergen, Mozart's Mass in C minor in Varberg and concerts with music by Dowland, Purcell and Handel in Gothenburg and Lund. In the summer of 2016 he sang The Theatre Painter in Sandström's new opera The Rococo Machine at the Drottningholm Festival.





Vivaldi - Dixit Dominus + Handel - Dixit Dominus


Ruben Jais, conductor / Fondazione Orchestra Sinfonica di Milano Giuseppe Verdi


Gudmundsson - Hamlet in Absentia / The therapist

Nordic Opera

Jakob Hultberg, conductor


Porpora - Il Verbo in carne

Basel, Versailles, Hamburg, Freiburg

Stefano Barneschi, conductor / Basel Chamber Orchestra


Nobin - Hion om natten


Christoffer Nobin, conductor / Norrköping Symphony Orchestra


Bach - Mass in G Minor


Martin Arpaker, conductor


Bach - Christmas Oratorio


Ville Matvejeff, conductor / Jyväskylä Sinfonia


Bach - Christmas Oratorio


Alexander Einarsson, conductor


Vivaldi - Magnificat + Bach - Magnificat

Teatro Regio di Torino

Ottavio Dantone, conductor


Bach - St Matthew Passion

Dortmund. Witten

NN, conductor


Handel - La Resurrezione / San Giovanni


Ottavio Dantone, conductor / Accademia Bizantina


Bach - Mass in G Minor


Alexander Einarsson, conductor


Handel - Mass in B minor


NN, conductor



September 2016

Artefact Artists Management
Artefact Artists Management has established itself as one of northern Europe’s leading managements for opera and concerts singers.